William Richard Lethaby [also known as W.R. Lethaby] was born in Barnstaple, Devon, England on 18 January 1857. In his youth he attend the Barnstaple Literary and Scientific Institute where he took night classes in drawing. In 1878 he moved to Duffield in Derbyshire where he was employed for a period in the office of the architect Richard Waite. He then worked briefly with T. H. Baker in Leicester. After winning the Royal Institute of British Architects' Soane medallion for 1878-79, he moved to London where he was employed as chief assistant by Richard Norman Shaw (1831-1912) from 1879 to 1889. He was a Pugin Student in 1881
In 1889 Lethaby left Shaw's office and set up his own practice in Bloomsbury, London. During his career, he only designed six building. It is as an historian, teacher, educationalist and design theorist that he is better known.
Lethaby was influenced by the principles of the Arts and Crafts movement and was particularly inspired by the writings of William Morris and John Ruskin. He was a founder member of the Art Workers Guild in 1884 and the Arts and Crafts Exhibition Society in 1888. He was a close friend of the Cotswold architect-craftsmen Ernest Barnsley, Sidney Barnsley and Ernest Gimson. Together with Gimson, the Barnsley, Mervyn Macartney, Reginald Blomfield, and Stephen Webb, he set up Kenton & Co., a short-lived cabinet-making workshop in London in c.1889.
In 1894 Lethaby was was appointed art inspector to the newly established London County Council technical education board, and following the establishment of the board's specialist training school, the LCC Central School of Arts and Crafts, in 1896, Lethaby became joint director [later Principal] with the sculptor George Frampton. Lethaby was also appointed Professor of Design at the Royal College of Art in London in 1900 and held both posts until 1911 when he resigned from the Central. He held the post of Professor at the RCA until 1918. From 1906 he was surveyor to the dean and chapter of Westminster Abbey.
Lethaby was an active member of the Society for the Protection of Ancient Buildings (SPAB). He was elected a Fellow of the Royal Institute of British Architects (FRIBA) in 1906 but refused the RIBA Royal Gold Medal in 1924. He died in London on 17 July 1931.
Lethaby only designed six building, of these, four were country houses: Avon Tyrrell, near Christchurch (1893); The Hurst at Four Oaks, near Birmingham (1893); Melsetter House at Hoy in the Orkneys (1898); and High Coxlease at Lyndhurst, Hampshire (1900–01). The other buildings by him were the Eagle Insurance Buildings, Colmore Row, Birmingham (1899-1900) and the Church of All Saints, Brockhampton, near Ross-on-Wye, Herefordshire (1901-02)
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Armstrong, Barrie and Armstrong, Wendy. The Arts and Crafts movement in the North East of England: a handbook. Wetherby, England: Oblong Creative Ltd., 2013
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Ayre, Naomi. W.R. Lethaby: his life and legacy. Barnstable, Devon, England: Museum of Barnstable & North Devon, 2007
Blomfield, Reginald. ‘W. R. Lethaby, an impression and a tribute’. Royal Institute of British Architects Journal 20 February 1932 pp. 290, 293-317
Brandon-Jones, John. 'The architect who turned teacher'. Listener vol. 39, 22 January 1948 pp. 146-148
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Hart, Vaughan. ‘William Richard Lethaby and the 'Holy Spirit': A Reappraisal of the Eagle Insurance Company Building, Birmingham’. Architectural History vol. 36, 1993 pp. 145-158
Hollamby, Edward. Arts & crafts houses. 1, Philip Webb - Red house ; William Richard Lethaby - Melsetter house ; Sir Edwin Lutyens - Goddards. London, England: Phaidon, 1999
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Lambourne, Lionel. Utopian Craftsmen. The Arts and Crafts Movement from the Cotswolds to Chicago. London: Astragal Books, 1980
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Memorial exhibition of drawings in water-colour by Professor W.R. Lethaby, 1857-1931. London: Tate Gallery, 1932
Naga, Shams Eldien Eissawy. William Richard Lethaby : the romantic modernist. Ph.D. thesis, Graduate School of Arts and Sciences, University of Pennsylvania, 1992
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Originality and initiative: the Arts and Crafts archives at Cheltenham. Edited by Mary Greensted and Sophie Wilson. Cheltenham, England: Cheltenham Art Gallery and Museums in association with Lund Humphries, 2003
Pevsner, Nikolaus. 'Lethaby's last'. Architectural Review vol. 130, November 1961 pp. 354-357
Roberts, A.R.N. William Richard Lethaby, 1857-1931. A volume in honour of the school's first principal. London: Central School of Arts and Crafts, 1957
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Rubens, Godfrey. William Richard Lethaby: His Life and work. London: Architectural Press, 1986
Rubens, Godfrey. 'William Lethaby's buildings' in Edwardian Architecture and its Origins. Edited by Alastair Service. London: The Architectural Press Ltd., 1975 pp. 130-141
Saint, Andrew. ‘Ashbee, Geddes, Lethaby and the Rebuilding of Crosby Hall’. Architectural History vol. 34, 1991 pp.206-223
Stamp, Gavin. The English House 1860-1914. Catalogue of an exhibition of photographs and drawings. London: InternationalArchitect and the Building Centre Trust, 1980 pp. 24-25
Van Der Plaat, Deborah. ‘Seeking a 'Symbolism Comprehensible' to 'the Great Majority of Spectators': William Lethaby's Architecture, Mysticism and Myth and Its Debt to Victorian Mythography’. Architectural History vol. 45, 2002 pp. 363-385
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W. R. Lethaby 1857-1931: architecture, design and education. Edited by Sylvia Backemeyer and Theresa Gronberg. London, England: L. Humphries, 1984 [Catalogue of an exhibition at Central School of Arts and Crafts, London; and at Cheltenham Art Gallery and Museum]
William Richard Lethaby ... A bibliography of his literary works. Compiled by the Royal Institute of British Architects library staff ... in collaboration with the Design and Industries Association. London, England: Royal Institute of British Architects, 1950
'William Richard Lethaby, 1857-1931'. RIBA Journal vol. 64, April 1957 pp. 218-224