Mackintosh, Charles Rennie 1868 - 1928

Mackintosh

Charles Rennie Mackintosh was born Charles Rennie McIntosh in Dennistoun, Glasgow, Scotland, on 7 January 1868. From 1884 to 1888 he was an articled to John Hutchison (c.1841-1908) in Glasgow. In late 1888 or early 1889 he began working a draughtsman with Honeyman and Keppie, a recently-established Glasgow-based architectural practice formed by John Honeyman (1831-1914) and John Keppie (1862-1945).  From 1883 to 1894 Mackintosh also attended evening classes at Glasgow School of Art.  In c.1896 he became senior assistant to Honeyman & Keppie, and, following the retirement of Honeyman in January 1901, he was taken into partnership and the practice title became Honeyman, Keppie & Mackintosh.  In 1900 he married Margaret Macdonald (1864-1933), with whom he would subsequently collaborate on projects.

The partnership with Honeyman and Keppie was dissolved in June 1913 and Mackintosh set up his own independent practice in Glasgow. After living briefly in Walberswick, Suffolk, in August 1915 the Mackintoshes moved to Chelsea in London where they established studios at  43A, Glebe Place.  In January 1924 they moved to France and over the next three years lived in Amelie-les-bains, Ille-sur-Tet and Port Vendres.  By September 1927, for reasons of health, they were forced to return to London, where Charles Rennie Mackintosh died on 10 December 1928.

In addition to his work as an architect, Mackintosh was also a painter and a versatile designer in many fields including textiles, jewellery, furniture, interiors, tiles, books, wallpaper, and stained glass. Between 1891 and 1923 he exhibited at the Royal Glasgow Institute of the Fine Arts, Goupil Gallery in London, and at the Royal Scottish Academy of Painters in Water Colours.

Worked in
UK
Works

• For a comprehensive list of architectural projects by Mackintosh see the Dictionary of Scottish Architects 1660-1980

Bibliography

'The Age of Mackintosh'. Journal of the Architectural Heritage Society of Scotland vol.19, 1992 pp. 1-114 [Special issue of Journal of the Architectural Heritage Society of Scotland.  Contents: Mackintosh, Burnet and modernity / Gavin Stamp -- William Leiper's houses in Helensburgh / Simon Green -- James Miller : sixty years in the history of Scottish architecture / Audrey Sloan -- A profile of Sir George Washington Browne / Deborah Mays -- Lorimer's castle restorations / Harriet Richardson -- Millionayrshire mansions / Mike Davis -- William Kerr / Adam M. Swan -- How much should we respect the past? / John Smith].

Alison, Felippo. Charles Rennie Mackintosh as a Designer of Chairs. Milan: Casabella, 1973. London: Warehouse Publications, 1974

Alison, Felippo. Der stuhl als kunstwerk sitmobel von Charles Rennie Mackintosh. Stuttgart: Deutsche Verlags-Anstalt, 1983.

Alison, Filippo. 'Mackintosh furniture: reassessment for reconstruction' in Mackintosh & His Contemporaries in Europe and America, edited by Patrick Nutgens. London: John Murray, 1988 pp. 149-152

Archer, John H. G. 'Edgar Wood and Mackintosh' in Mackintosh and His Contemporaries in Europe and America, edited by Patrick Nutgens. London: John Murray, 1988 pp. 58-74

The Architect's Architect: Charles Rennie Mackintosh, edited by Murray Grigor and Richard Murphy. London: Bellew, in association with the Charles Rennie Mackintosh Society, 1993

An Artist's Cottage and Studio: the Realisation of an Unexecuted Design by Charles Rennie Mackintosh. [Perth]: Bidwells, 1994

Asensio, Paco. Charles Rennie Mackintosh. Kempen, Germany: TeNeues; Barcelona : LOFT, 2002.

Barnes, Harry Jefferson. Charles Rennie Mackintosh and Glasgow School of Art. 3, Ironwork and metalwork at Glasgow School of Art. Glasgow: Glasgow School of Art, 1978

Bedford, June and Ivor Davies, 'Remembering Charles Rennie Mackintosh: A Recorded Interview with Mrs Mary Sturrock', Connoisseur vol. 183, 1973, pp. 80–88

Billcliffe, Roger.  Architectural Sketches and Flower Drawings by Charles Rennie Mackintosh. London: Academy Editions, 1977

Billcliffe, Roger. Charles Rennie Mackintosh the complete furniture, drawings and interior designs. Moffat, Dumfriesshire: Cameron & Hollis, 4th edition, 2009

Billcliffe, Roger. Charles Rennie Mackintosh: Textile Designs. San Francisco, California: Pomegranate Artbooks, 2nd edn, 1993

Billcliffe, Roger. Charles Rennie Mackintosh and the Art of The Four. London: Frances Lincoln, 2017 [The group known as "The Four" - C. R. Mackintosh and his three contemporaries at Glasgow School of Art, J Herbert McNair,  Margaret Macdonald Mackintosh and Frances Macdonald]

Billcliffe, Roger. Mackintosh Furniture. Cambridge: Lutterworth, 1984

Billcliffe, Roger. Mackintosh Watercolours. London: John Murray, 1978

Billcliffe, Roger and Vergo, Peter. ‘Charles Rennie Mackintosh and the Austrian Art Revival’. The Burlington Magazine vol. 119, no. 896, November 1977 pp.739-746

Billcliffe, Roger. Visiting Charles Rennie Mackintosh, London: Frances Lincoln, 2012

Binney, Marcus. 'An architect of unfilled promise. Country Life vol. 144, 7 November 1968 pp. 1182-1183

Birrell, Ross. 'A beautiful living thing'. Performance Research vol. 22, no. 1, January 2017 pp. 115-119  ["On the 23rd May 2014 fire spread through The Glasgow School of Art, Charles Rennie Mackintosh’s masterpiece, badly damaging the heart of the School. In the immediate aftermath of the fire there was an overwhelming response evidencing a sense of loss and sadness amongst GSA’s worldwide community. This emotional reaction developed into a desire to engage with the Mackintosh Building, and this research project being one of several focused on the building. Following this tragic event, Birrell and Crotch were both driven by a desire to record the irrevocable damage, and the concept of ‘A Beautiful Living Thing’ developed. Both authors independently felt a connection with the building in the context of their own research, Birrell’s fascination with the relationship of music and place, and Crotch’s concerns with embodied experience and memory. The ambition was to capture and record the beauty within the building viewing the restoration of this damaged work of art from the immediate aftermath of the fire, and through the process of restoration to completion. Through discussion the project developed and it was agreed that a series of three films would be produced; designed as a series of visual ‘movements’ each would be aligned to mark significant stages of rehabilitation of the building; before, during and after the restoration work. Film 1 (completed) places a single musician within the damaged library, and records a new composition transposed from the words of Mackintosh ‘A Beautiful Living Thing’. Film 2 (currently in the editing stage) will concern itself with ‘improvisation’ in response to the improvisatory nature of fire and takes place during the reconstruction phase. Film 3 will celebrate completion and a new beginning through a choral piece. This is a linear project that has been conceived as a whole but with each part having independent legitimacy."  Abstract]

Blackie, Walter W. 'Memories of Charles Rennie Mackintosh'. Scottish Art Review vol. 11, 1968 pp. 6-11

Blake, Fanny. Essential Charles Rennie Mackintosh. Bath : Parragon, 2004

Blench, Brian J. R. and Kinchin, Juliet. Charles Rennie Mackintosh : his buildings in & around Glasgow. Glasgow : City of Glasgow Council, in association with the Charles Rennie Mackintosh Society, 1990.

Bliss, Douglas Percy, Charles Rennie Mackintosh and the Glasgow School of Art: 1. Glasgow: Glasgow School of Art, 1961, 4th edition, revised and enlarged, 1991

Bott, Gerhard. Charles Rennie Mackintosh 1868-1928 : aus dem Werk des schottischen Architekten ; Ausstellung im Hessischen Landesmuseum Darmstadt, 27. Februar 1969-4. Mai 1969. Darmstadt: Hessischen Landesmuseum Darmstadt, 1969

Bracardi, Monica. 'Non solo per diletto : Charles Rennie Mackintosh acquerellista'. Art e Dossier vol. 29, 2014 pp. 42-47

Brett, David, C. R. Mackintosh: The Poetics of Workmanship. London: Reaktion, 1992

Brett, David. 'Charles Rennioe Mackintosh' in Encyclopedia of Interior Design Volume 2, M-Z, edited by Joanna Banham.  London: Routledge, 1997 pp. 759-763

Brown, Alison. Charles Rennie Mackintosh: Making the Glasgow style. Glasgow: Glasgow Museums, 2018 [Published in association with an exhibition held at the Kelvingrove Art Gallery and Museum, Glasgow and Walker Art Gallery, Liverpool in 2018-19]

Brown, Alison. Designing the New: Charles Rennie Mackintosh and the Glasgow Style. London: Prestel Publishing, 2019

Brown, Alison. 'Tea and Symmetry: The Glasgow tearoom designs of Charles Rennie Mackintosh for Miss Catherine Cranston'. The Magazine Antiques vol. 186, no. 5, 2019 pp. 104-113

Buchanan, William. 'Japanese influences on the Glasgow Boys and Charles Rennie Mackintosh' in Japonisme in Art: An International Symposium. New York (?): Kodansha America, Incorporated, 1980 pp. 291-301

Buchrieser, Yasmin. 'Simulacra architecture in relation to tourism: Charles Rennie Mackintosh in Glasgow and Antoni Gaudi in Barcelona'. Journal of Tourism and Cultural Change vol. 17, no. 1, 2019 pp. 100-114   ["An increasing global competition between cities encourages many of them to find ways to promote and develop a unique identity and increase their attractiveness as a tourist destination. Some cities may develop and promote an emblematic architect and his or her architectural heritage/legacy, like the examples of Glasgow and Charles Rennie Mackintosh and Barcelona and Antonio Gaudi. Furthermore, this article will focus on the way tourism can lead local actors in cities to go even further and to continue to build their architecture, even after the death of the architects. A phenomenon appears where architecture is posthumously continuing to be built, leading to the production and creation of simulacra and facsimiles (for example of Mackintosh architecture in Glasgow and Gaudi architecture in Barcelona) for tourist, commercial and heritage reasons. This article aims to present and discuss how architectural heritage can be produced and transformed ‘for’ and ‘by’ tourism, a fascinating change in these cities which has also been the subject of criticism and leads to many questions". Summary]

Butcher, Barbara.'Charles Rennie Mackintosh: A Legacy and a Love Story: Behind the beautiful work of the 'Father of Glasgow' lay a deep and lasting love'. History Today vol. 65, no. 9, 2015 p. 7

Cairney, John. The quest for Charles Rennie Mackintosh. Edinburgh : Luath, 2007.

Chapman-Huston, Desmond. 'Charles Rennie Mackintosh: his life and work'. Artwork no. 4, Spring 1930 pp. 20-31

Chapman-Huston, Desmond. The Lamp of Memory. Autographical Digressions. London: Skeffington, 1950 [The author reflects in the book on his friendship with Charles Rennie Mackintosh and Margaret Macdonald Mackintosh]

Charles Rennie Mackintosh. Copenhagen : Kunstindustrimuseet, 1982.  [Catalogue of the first exhibition of the work of Charles Rennie Mackintosh held in Scandinavia. Organised by The Danish Institute, Edinburgh and Duncan of Jordanstone College of Art, Dundee]

Charles Rennie Mackintosh. London: Architectural Association, 1981

Charles Rennie Mackintosh. [Tokyo]: Japan Art & Culture Association, 1985

Charles Rennie Mackintosh, Edited by Wendy Kaplan. New York and London: Abbeville Press, 1996

Charles Rennie Mackintosh and Glasgow School of Art - 2: Furniture in the School Collection, introduction by by Jefferson H Barnes. Glasgow: Glasgow School of Art, 2nd edition, 1978

Charles Rennie Mackintosh: The Architectural Papers, edited by Pamela Robertson.  Wendlebury, Oxfordshire: White Cockade in association with the Hunterian Art Gallery, 1990

Charles Rennie Mackintosh (1868-1928): Architecture, Design and Painting: an exhibition sponsored by the Edinburgh Festival Society and arranged by the Scottish Arts Council. Introduction, notes and catalogue by Andrew McLaren Young. Edinburgh: Scottish Arts Council, 1968

Charles Rennie Mackintosh: The Chelsea Years, 1915–1923, edited by Pamela Robertson. Glasgow: Hunterian Art Gallery, University of Glasgow, 1978 [Catalogue of an exhibition at the Hunterian Art Gallery, University of Glasgow in 1978-79].

Charles Rennie Mackintosh, Margaret Macdonald Mackintosh: the memorial exhibition 1933 : a reconstruction. [Glasgow] : [Fine Art Society], 1983 [Catalogue of an exhibition held at the Fine Art Society, 24 August. - 26 September 1983]

Charles Rennie Mackintosh, Margaret MacDonald Mackintosh: Memorial Exhibition. Glasgow: McLellan Galleries, 1933.

Charles Rennie Mackintosh: 1868-1928; [Mostra Charles Rennie Mackintosh, Architetto organizzata dal Comune di Certaldo nel 1988]. Milan: Electa, 1988 [Conference proceedings. Location of conference not known]

Charles Rennie Mackintosh in Glasgow. Zurich : Ecole Polytechnique Federale, [1977]

Charles Rennie Mackintosh: Scotland Street School : a New Survey. Glasgow: Glasgow Print Studio Gallery Exhibition, [1982?]

Chrichton, Robin. Monsieur Mackintosh : the travels and paintings of Charles Rennie Mackintosh in the Pyrénées Orientales 1923-1927 / Les voyages et tableaux de Charles Rennie Mackintosh dans les Pyrénées Orientales 1923-1927.   Edinburgh: Luath, 2006  [An account of Charles Rennie Mackintosh's time in France. Contains 40 of his French paintings alongside photographs of the actual locations today, and images from the period 1923-1927]

Chrichton, Robin. On the trail of monsieur Mackintosh : the travels and paintings of Charles Rennie Mackintosh in the Pyrénées Orientales 1923-1927 / Le chemin de monsieur Mackintosh : les voyages et tableaux de Charles Rennie Mackintosh dans le Pyrénées Orientales 1923-1927. Innerleighten, Scotland: Robin Crichton, 2013.    ["In 1923, Charles Rennie Mackintosh and his wife Margaret MacDonald went on holiday to Roussillon in the South of France to rest and recuperate. Her health was poor and as an architect and designer he had become outmoded. They were completely enchanted. The holiday became a permanent stay and Mackintosh rapidly developed his talents as an artist. They spent the last and possibly the happiest years of their life together in this earthly paradise, which is Roussillon. Robin Crichton follows in Mackintosh's footsteps rediscovering as he did the culture and beauty of the region and how it inspired his painting. Crichton's own love of Roussillon shines through as he elegiac prose sits in perfect harmony with Mackintosh's splendid paintings" [Publisher's note]

The Chronycle: The Letters of Charles Rennie Mackintosh to Margaret Macdonald Mackintosh, 1927, edited by Pamela Robertson. Glasgow: Hunterian Art Gallery, University of Glasgow, 2001

Clark, Robert Judson. 'Olbroich and Mackintosh' in Mackintosh & His Contemporaries in Europe and America, edited by Patrick Nutgens. London: John Murray, 1988 pp. 98-112

Cooper, Jackie, Mackintosh Architecture: The Complete Buildings and Selected Projects. London: Academy Editions, 2nd edition, 1980

Crawford, Alan, Charles Rennie Mackintosh. London: Thames & Hudson, 1995

Cumming, Elizabeth. Hand, Heart and Soul: the Arts and Crafts Movement in Scotland.  Edinburgh: Berlinn Limited, 2006

Davidson, Fiona. Charles Rennie Mackintosh. London: Pavilion Books, 2018.

Davidson, Hamish R. 'Memories of Charles Rennie Mackintosh'. Scottish Art Review vol. 11, , 1968 pp. 2-5, 29 [The author was the grandson of William Davidson, one of Mackintosh's clients and the Mackintosh Memorial Exhibition in 1933]

Davies, Colin. 'Derngate Centre, Northampton'. Architectural Review vol. 175, 1984, pp. 72-78 [Discusses 78 Derngate in Northampton designed by Charles Rennie Mackintosh for the model engineer W. J. Bassett-Lowke in 1916. It was the only house designed by Mackintosh in England]

Davis, Emily Virginia. Electrical light and Charles Rennie Mackintosh. M.A. thesis, Virginia Commonwealth University, 2006

Dianat, Alborz. 'The Re-making of Charles Rennie Mackintosh: A Study of the 1933 Memorial Exhibition'. Architectural History vol. 62, 2019 pp. 145-169 

Dickson, Bryan and Reid, Suzanne. 'The External and Internal Decorative Finishes of the Hill House, Helensburgh: Challenges of an Early Twentieth-century Dwelling House'.  Studies in Conservation vol. 65, July 2020 pp. 1-5 ["Since its completion in 1904, the Hill House in Helensburgh (Scotland) designed by Charles Rennie Mackintosh has suffered from the effects of moisture penetration. Various owners have attempted to remedy the problem with limited success. In 2019 the current owner, the National Trust for Scotland, took the bold step to cover the entire building in a contemporary structure, the Big Box, in order to arrest water ingress, buy time to develop a solution, and engage with the public over this conservation dilemma. This paper explores the technical and philosophical issues that finding a solution presents, and outlines what effects the water ingress has had on the collections and interior decorations. It explores the approaches taken to date with the management of the exterior and interior surfaces of the building, and the environmental management strategy adopted as one element of a solution. It additionally notes that changes to Mackintosh’s original decorative scheme, which included furniture, fixtures and fittings, have occurred over time, and discusses the Trust’s approach to managing the collections in this iconic building".  Abstract]

Directory of British Architects 1834-1914. Compiled by Antonia Brodie, et al. Volume 2: L-Z. London; New York: British Architectural Library, Royal Institute of British Architects/Continuum, 2001

Dixon, Elizabeth. Charles Rennie Mackintosh : a selective bibliography. London: Architectural Association Library, 1981

Doak, Archibald M. Architectural Jottings by Charles Rennie Mackintosh. Glasgow: Glasgow Institute of Architects, 1968

Doumato, Lamia. Charles Rennie Mackintosh, architect and designer. Monticello, Ill. : Vance Bibliographies, 1980.

The Dr. Thomas Howarth collection : important works by Charles Rennie Mackintosh, Margaret and Frances Macdonald and Herbert MacNair. London: Christie's, 1994 [Sale catalogue]

Drew, Plunkett et al. Four studies on Charles Rennie Mackintosh. New York, NY : New York School of Interior Design, 1996 [This publication coincides with an exhibition, "A House for an Art Lover", at the New York School for Interior Design, Nov. 20, 1996-Feb. 8, 1997]

Eriksson, Ann-Catrine. Rummet som konstverk: om konstnärsparet Charles Rennie Mackintosh och Margaret Macdonald. Umeå, Sweden: Institutionen för Konstvetenskap, Umeå Universitet, 2003.

The estate and collection of works by Charles Rennie Mackintosh at the Hunterian Art Gallery, University of Glasgow. Glasgow: Hunterian Art Gallery, 1991. [Catalogue of an exhibition at the Hunterian Art Gallery in 1991]

Etkind, Maria, Howarth, Thomas and Lochnan, Katharine Jordan. Charles Rennie Mackintosh : 1868-1928 ; a memorial exhibition. Ottawa, Ontario: Art Gallery of Ontario, 1978.

Euler, Laura. The Glasgow style. Atglen, Pennsylvania: Schiffer Publishing Ltd., 2008

Fagen, Graham and Rodger, John. Cabbages in an orchard: the formers and forms of Charles Rennie Mackintosh and Graham Fagen. Glasgow: Glasgow School of Art, 2014.

Fiell, Charlotte and Fiell, Peter. Charles Rennie Mackintosh, 1868-1928 : Glasgow Style. Cologne: Taschen, 2004

Filler, Martin. 'Charles Rennie Mackintosh exhibition at the Metropolitan Museum of Art, New York; The Art Institute of Chicago; and the Los Angeles County Museum of Art'. The New York Review of Books vol. 44, no. 3, 1997 p. 7

Finucci, Maria Cristina. L'influenza del viaggio in Italia sulla formazione del linguaggio archittonico di Charles Rennie Mackintosh. Thesis, University of Florence, 1981 [Classification of degree not known]

Flower drawings by Charles Rennie Mackintosh (1868-1928). Glasgow: Hunterian Museum, University of Glasgow, 1977 [Exhibition catalogue]

Furse, John. 'Charles Rennie Mackintosh' in Contemporary Architects, edited by Muriel Emanuel. London: Macmillan Press Ltd., 1980 pp. 500-502

Futagawa, Yoshio and Futagawa, Yukio. Charles Rennie Mackintosh: Hill House: Helensburgh, Scotland, U.K., 1902-04.  Tokyo: A.D.A. Edita [Residential Masterpieces 11], 2011.

Gaillemin, Jean-Louis. 'Hill House se visite : une visite à Hill House, la maison mythique de Charles-Rennie Mackintosh (1868-1928)'. Connaissance des Arts. no. 535, 1997 pp. 88-95

Garner, Philippe. 'Charles Rennie Mackintosh as designer' in Art at Auction: The Year at Sotheby Parke Bernet 1976-77. Woodbridge, Suffolk, 1977 pp. 474-479

Garnham, Trevor; Bosley, Edward R.; and Macauley, James. Arts and Crafts Masterpieces : Edward Prior, Charles Rennie Mackintosh and Bernard Maybeck. London: Phaidon, 1999. [St Andrew's Church, in Roker by Edward Prior; Glasgow School of Art by C. R. Mackintosh; and the First Church of Christ Scientist, Berkeley, California by Bernard Maybeck are discussed]

Gifford, Barbara Paris. Charles Rennie Mackintosh, rethinking the London years 1915-1923 : a case for the textile designs. M.A. thesis, Bard Graduate Center, New York, 2004

The Glasgow Style 1890-1920. Glasgow: Department of Decorative Art, Glasgow Museums and Art Galleries, 1984 [Published to accompany an exhibition held at Art Gallery and Museum, Glasgow, 27 July - 7 Oct. 1984. Contains profiles of the leading figures associated with the Glasgow Style]

The Glasgow Style 1890-1920. A Handlist  of Exhibition Material. Glasgow: Department of Decorative Art, Glasgow Museums and Art Galleries, 1984 [A handlist of items displayed in an exhibition at the  Art Gallery and Museum, Glasgow, 27 July - 7 Oct. 1984]

Glasgow's Hidden Treasure: Charles Rennie Mackintosh's Ingram Street tearooms. Glasgow: Glasgow Museums, 2004.

Godwin, W. J. G. 'Rennie Mackintosh, Victor Horta, and Berlage'. Architectural Association Journal vol. 65, February 1950 pp. 140-145 [Comparisons are made between the architecture of Mackintosh, Victor Horta (1861-1947) and Hendrik Petrus Berlage (1856-1934).]

Gomme, Andor Harvey and Walker, David. Architecture of Glasgow. London: Lund Humphries, 2nd, revised,  edition, 1987

González Mínguez, María Teresa. Dark/Masculine—Light/Feminine: How Charles Rennie Mackintosh and Margaret MacDonald Changed Glasgow School of Art. Proceedings of the 31st AEDEAN Conference, Universidade da Coruña, 2008 pp. 85-91 [This paper is available online. See link below]

Gow, Ian. 'Charles Rennie Mackintosh'. The Journal of the Society of Architectural Historians vol. 56, no. 3, September 1997 pp. 343-345

Grady, James. 'C. R. Mackintish and Louis Sullivan' Prospect vol. 4, Winter 1956 pp. 10-15 [Comparison between the life and work of Mackintosh and the American architect Louis Sullivan (1856-1924)]

Gramigna, Giuliana. Cassina i maestri : Charles Rennie Mackintosh. Milan: Cassina, 1997

Grant, Robert. The Politics of Sex and Other Essays: On Conservatism, Culture and Imagination. London: Palgrave Macmillan, 2000 [Chapter 13: Home Truths: Charles Rennie Mackintosh and the House Beautiful pp. 145-159]

Gray, A. Stuart. Edwardian Architecture: a Biographical Dictionary.  London: Gerald Duckworth & Co., Ltd., 1985

Grigg, Jocelyn. Charles Rennie Mackintosh. Salt Lake City: Peregrine Smith Books, 1988

Groehl, Susan. Charles Rennie Mackintosh and Celtic Art. M.A. thesis, Hunter College, Dept. of Art, New York, 1968

Grogan, Elaine.  Beginnings: Charles Rennie Mackintosh's Early Sketches. Oxford: Architectural Press in association with National Library of Ireland, 2002 [originally published London: Routledge, 2012]

Gronert, Siegfried. Der Hill-House-Stuhl von Charles Rennie Mackintosh. Frankfurt am Main : Verlaf Form, 2001.

Hackney, Fiona. Charles Rennie Mackintosh. London: The Apple Press, 1989

Hackney, Fiona and Hackney, Ilsa. Charles Rennie Mackintosh. London: Grange Books, 1995

Hagg, Michelle Jeanne. Charles Rennie Mackintosh and Margaret Macdonald : a synthesis of genders in their collaborative interiors. M.A. thesis (Art History), Vanderbilt University 1999

Harris, Nathaniel. The life & works of Charles Rennie Mackintosh. Edinburgh: Lomond, 1999.

Hatton, Brian. 'Mackintosh, man of the North : the Charles Rennie Mackintosh Society celebrated its tenth anniversary with a conference in Glasgow from 24-26 August which was concerned with placing the architect's work in an international context'. Architectural Review vol. 174, 1983 p. 4

Haus eines Kunstfreundes: Mackay Hugh Baillie Scott, Charles Rennie Mackintosh, Leopold Bauer, edited by Gerda Breuer. Stuttgart; London: Edition Axel Menges, 2002.

Helland, Janice. 'The critics and the Arts and Crafts : the instance of Margaret Macdonald and Charles Rennie Mackintosh'. Art History vol. 17, 1994 pp. 209-227

Hellier, Henry. 'Odd man out'. Scottish Art Review vol. 11, no. 4, 1968 pp. 18-21

Hellier, Henry. 'The Glasgow style'. Scottish Art Review vol. 7, no. 4, 1960 pp. 18-21

Holt, Ashley Becket. Charles Rennie Mackintosh : his interiors and his influence on the Viennese Secessionists. B. Arch. dissertation, University of New South Wales, 1990

Horner, Libby. 'Mackintosh and the Glasgow Style: Japonisme' in Britain & Japan: Biographical Portraits, Vol. X, edited by Hugh Cortazzi. Amsterdam: Amsterdam University Press, Renaissance books, 2016 pp.  pp.731-744

House for an Art Lover: Charles Rennie Mackintosh 1868-1928. Glasgow: House for an Art Lover, 2004.

Howarth, Thomas. Charles Rennie Mackintosh and the modern movement. London: Routledge & Kegan Paul, 2nd edition, 1977 [Originally published in 1952]

Howarth, Thomas. Charles Rennie Mackintosh and the Secessionist Movement in Architecture. Ph.D, University of Glasgow, 1949 [Available online as a PDF that can be downloaded. See link below]

Howarth, Thomas. 'Charles Rennie Mackintosh: Architect and Designer'. RIBA Journal vol. 58, November 1950 pp. 15-19

Howarth, Thomas. 'Charles Rennie Mackintosh: the internal reality of buildings' in Mackintosh & his Contemporaries in Europe and America, edited by Patrick Nuttgens. London: John Murray pp. 39-57

Howarth, Thomas. 'The House of Charles Renie Mackintosh'. RIBA Journal vol. 53, September 1946 pp. 489-491 [Mackintosh's own house at 78 Ann Street [now 78 Douthpark Avenue], Glasgow, purchased by the University of Glasgow in 1945]

Howarth, Thomas. 'Mackintosh and the Scottish tradition'. Magazine of Art vol. 41, November 1948 pp. 264-267

Howarth, Thomas. 'Queen's Cross Church'. Transactions of the Scottish Ecclesiological Society vol. 13, part 3, 1941-45 pp. 17-19 [The author argues that Queen's Cross Church in Glasgow, commissioned by the Free Church 1896, stands comparison with Glasgow School of Art as one of Mackintosh's best works]

Howarth, Thomas. 'Some Mackintosh furniture preserved'. Architectural Review vol. 100, August 1946 pp. 33-34 [Report on the purchase by the University of Glasgow of furniture designed by Mackintosh for his house at 78 Southpark Avenue, Glasgow]

Hylla, Frithjof. Charles Rennie Mackintosh. Saarbrücken, Germany: AV Akademikerverlag, 2012

Irwin, David. [Review of Charles Rennie Mackintosh by Robert Macleod (1968).  Burlington Magazine vol. 111, 1969 pp. 692-695

Jackson, Neil. 'Found in translation: Mackintosh, Muthesius and Japan'. The Journal of Architecture vol. 18, no. 2, April 2013 pp. 196-224

Jones, Anthony. Charles Rennie Mackintosh.  New Jersey, N.J.: Wellfleet Press, 1990

Kaplan, Wendy. Charles Rennie Mackintosh. Glasgow: Glasgow Museums. New York: Abbeville Press, 1996.

Kim, Jinwoo. 'Examples and characteristics of Charles Rennie Mackintosh's chair design'. Journal of Korea Design Forum, no. 31, 2011 pp. 141-152

Kimura, Hiroaki, Charles Rennie Mackintosh: Architectural Drawings. Ph.D. thesis, University of Glasgow, 1982

Kimura, Hiroaki, Charles Rennie Mackintosh. Tokyo : Process Architecture Pub. Co., 1984

Kinchin, Perilla. 78 Derngate Northampton : guide book. Northampton : 78 Derngate Northampton Trust, 2005 [A guide to 78 Derngate in Northampton designed by Charles Rennie Mackintosh for the model engineer W. J. Bassett-Lowke in 1916. It was the only house designed by Mackintosh in England]

Kinchin, Perilla. Miss Cranston: Patron of Charles Rennie Mackintosh. Edinburgh: National Museums Scotland, 2nd edition, 2018 [originally published 1999]

Kinchin, Perilla. Taking Tea with Mackintosh: the Story of Miss Cranston's Tea Rooms. San Francisco: Pomegranate, 1998

Kippen, Andy. The centenary of the installation of the Charles Rennie Mackintosh chancel furniture in the parish church, Bridge of Allan, June 1904 - June 2004. [Bridge of Allan, Scotland]: [publisher not identified], 2004.

Kirkham, Pat. 'Charles Rennie Mackintosh'. Journal of Design History vol. 9, no. 3, 1996 pp. 232-233

Kubly, Beth. Charles Rennie Mackintosh and the Viennese Secession. M.A. thesis, Rosary College, Graduate School of Fine Arts, River Forest, Illinois, 1971

Laganà, Guido. Charles Rennie Mackintosh 1868-1928. Milan: Electa, 1994

Larner, Gerald and Larner, Celia. The Glasgow Style. Edinburgh: Paul Harris, 1979

Lasdun, Denys. 'Charles Rennie Mackintosh : a personal view' in Mackintosh & His Contemporaries in Europe, edited by Patrick Nutgens. London: John Murray, 1988 pp. 153-154

Lawrence, Ranald. 'The internal environment of the Glasgow School of Art by Charles Rennie Mackintosh'. Construction History vbol. 29, no. 1, 2014 pp. 99-127   ["This paper discusses the Glasgow School of Art in the context of the wider history of the Victorian art school as a distinctive building type. It explores the precedents for the school in Manchester, Birmingham, and London, and reveals that its design was informed by predominantly environmental considerations. The internal spaces of Victorian art schools display an unprecedented qualitative concern for the provision of light in the context of the soot-laden skies of the industrial city. The Glasgow School of Art was also equipped with a mechanical plenum system that provided clean and tempered air in variable quantities to the different spaces of the building. The innovativeness of this system has been widely disputed — this paper aims to cast light on its precedents and situate its significance in the wider history of the development of building servicing. This includes discussion of a contemporary report detailing the engineers' commissioning of the building in 1910, as well as a recent study undertaken to evaluate the environmental management of the school today. The paper demonstrates that the Glasgow School of Art represents a key milestone in the development of our modern conception of the internal environment of large buildings, brought about in response to the atmospheric degradation of the industrial city. The sophisticated integration of the environmental qualities of the Arts and Crafts movement with thoroughly modern servicing technology is indicative not only of Mackintosh's principle of 'total design', but also of the architectural possibilities inherent in the construction of a particularly specialised building type in a specific time and place". Abstract]

Lux, Simonetta. 'Charles Rennie Mackintosh note su un contributo alla storia del "design" e dell'architettura moderna'. L'Arte Nuova nos 7/8., 1969 pp. 139-181

McCall, Dorothy Kleppen. The romantic motifs in the life and work of Charles Rennie Mackintosh, Scottish architect. M.A. thesis, Mills College, Oakland, California, 1987

Macaulay, James. Charles Rennie Mackintosh. New York, NY: W. W. Norton, 2010

Macaulay, James. 'Charles Rennie Mackintosh Das Hill Haus in Helensburgh'. Deatail vol. 37, no. 2, 1997 pp. 129-133

Macaulay, James. Glasgow School of Art 1897-1909 - Charles Rennie Mackintosh. London: Phaidon, 1995

Macaulay, James. Hill House: Helensburgh 1903 - Charles Rennie Mackintosh. London: Phaidon, 1994

Macaulay, James, et al. Arts & Crafts Houses II - Charles Rennie Mackintosh: Hill House; C.F.A. Voysey: The Homestead; Greene and Greene: Gamble House. London: Phaidon Press, 1999

MacInnes, Ranald. 'Charles Rennie Mackintosh'.   West 86th. The Bard Graduate Center for Studies in the Decorative Arts, Design and Culture vol. 18, 2011 pp. 103-110

McKean, Charles. The Hillhouse Helensburgh Charles Rennie Mackintosh. Glasgow (?): Trustees of Hillhouse, 1970. [Guide book]

McKenzie, Ray. The Flower and the Green Leaf: Glasgow School of Art in the time of Charles Rennie Mackintosh. Edinburgh: Luath Press, 2009.

Mackie, Campbell. 'Charles Rennie Mackintosh'. The Builder vol. 145, 7 July 1933 p. 8 [A report on the Mackintosh Memorial Exhibition held in Glasgow in 1933]

Mackintosh & His Contemporaries in Europe and America, edited by Patrick Nutgens. London: John Murray, 1988

'Mackintosh's maryrdom'. Architects' Journal vol. 159, 27 February 1974 pp. 421-422 [Discusses plans to demolish the Maretyrs School in Glasgow, designed by Mackintosh in 1895 and one of his first commissions]

Mackintosh's Masterwork: The Glasgow School of Art, edited by William Buchanan.  Glasgow: Richard Drew Publishing, 1989

Macleod, Robert. Charles Rennie Mackintosh: Architect and Artist. London: Collins, 2nd edition, 1983 [Originally published in 1968]

Macleod, Robert 'Lethaby as a key to Mackintosh' in Mackintosh & His Contemporaries in Europe and America, edited by Patrick Nutgens. London: John Murray, 1988 pp. 18-24

McClymont, L. G. 'Charles Rennie Mackintosh and Cancer of the Tongue'. Scottish Medical Journal vol. 34, no. 4, August 1989 pp. 506-508 [The author examines the treatment C. R. Mackintosh received following his diagnosis with tongue cancer]

MacMillan, Andrew. GA global architecture : Charles Rennie Mackintosh, The Glasgow School of Art, Glasgow, Scotland, Great Britain. 1897-99, 1907-09.  Tokyo : A.D.A. Edita, 1979.

MacMillan, Andrew. Charles Rennie Mackintosh 1868-1928. Paris: Electa Moniteur, 1990

MacMillan, Andrew. 'Macintosh in context' in Mackintosh & His Contemporaries in Europe and America, edited by Patrick Nutgens. London: John Murray, 1988 pp. 25-31

MacMillan, Andrew, et al. Charles Rennie Mackintosh 1868-1928. Milan: Electa, 1995

McNutt, G. D. Design by Design. Design by Desire. A Novel of Charles Rennie Mackintosh. [Place of publication not identified], LULU COM, 2017.

Mainds, Allan D. 'Charles Rennie Mackintosh'. The Listener vol. 10, 1933 pp. 98-100

Margaret Macdonald Mackintosh 1864-1933. Glasgow: Hunterian Museum and Art Gallery, University of Glasgow, 1983 [Exhibition catalogue]

Marriott, Charles. Modern English Architecture. London: Chapman & Hall, 1924

Meisler, Stanley. 'The bonny works of Charles Rennie Mackintosh: The Scottish architect and designer, in vogue at the turn of the century, is hot again, and coming to America'. Smithsonian vol. 27, no. 10, 1997 pp. 44-45

Mellor, Fleur. Charles Rennie Mackintosh and the Hill House. B. Arch. dissertation, University of New South Wales 1993

Miers, Mary. '78 Derngate, Northampton newly restored house that contains Charles Rennie Mackintosh's last significant interior'. Country Life vol. 198, 24 September 2004 pp. 120-123 [Designed by C. R. Mackintosh for the model engineer W. J. Bassett-Lowke in 1916]

Moffat, Alistair and Colin Baxter. Remembering Charles Rennie Mackintosh : An Illustrated Biography. Lanark: Colin Baxter Photography, 1989

Moffat, W. Muirhead. ' Scottish Collectors: Mr, Smith and Mackintosh' Scottish Art Review vol. 14, 1973 pp. 1-5 [Discusses the furniture by C. R. Mackintosh amassed by George Smith a Glaswegian collector]

Monie, Ian C. 'The survival of the works of Charles Rennie Mackintosh'. Art Libraries Journal vol. 2, no. 3, Septrmber 1977 pp. 33-43 ["Mackintosh was for long neglected in Britain, in spite of the efforts of some architectural writers to draw attention to his achievement. Thomas Haworth and the Glasgow School of Art did much to document and preserve his work; following the appearance of Howarth’s monograph in 1952, and an exhibition in 1953, interest in Mackintosh began to revive. Further exhibitions and publications, and reproductions of his furniture, contributed to the continuing growth of Mackintosh’s reputation, but many of the architect’s buildings remained under threat and a Society was formed to campaign for their preservation and to foster interest in his work. Recent years have seen additional publications, with more in prospect, and including the Mackintosh Society’s regular Newsletter, together with some television productions." Absract]

Montana, Andrew. 'Marketing the myth: Glasgow's designs on Charles Rennie Mackintosh. [An exhibition of the work of the Glaswegian architect designer.]'. Art Monthly Australia no. 190, 2006 pp. 25-29

Murphy, Douglas. 'Flower of Scotland : Charles Rennie Mackintosh'. Apollo. vol. 187, no. 664, May 2018 pp. 60-65.

Muthesius, Hermann, 'Die Glasgower Kunstbewegung: Charles R. Mackintosh und Margaret Macdonald-Mackintosh'. Dekorative Kunst vol.5, March 1902, pp. 193–217

Muthesius, Hermann. 'Muthesius on Mackintosh'. Scottish Art Review vol. 11, no. 4, 1968 pp. 12-17, 30

Neat, Timothy. Part Seen, Part Imagined. Meaning And Symbolism In The Work of Charles Rennie Mackintosh And Margaret Macdonald. Edinburgh: Canongate Press, 1994

'Obituary'. Architectural Review vol. 65, January 1929 p. 54

'Obituary'. The Builder vol. 135, 21 December 1928 p. 1014

'Obituary'. Royal Institute of British Architects Journal vol. 36, 21 January 1929 p. 211

'Obituary'. The Times 14 December 1928 p. 16 [The obituary states incorrectly that C. R. Mackintosh died in Spain]

O'Neill, Eithne. 'Hermann Muthesius on Mackintosh'. Scottish Art Review vol. 11, 1968 pp. 12-17, 30. [Discusses the references to C. R. Mackintosh and his work made by German architect and architectural historian Hermann Muthesius (1861-1927)  in his 3-volume book Das Englische Haus (1904-05)]

Osherow, Jacqueline. ‘Fantasia: Charles Rennie Mackintosh’. Southwest Review  vol. 97, no. 2, 2012 pp.204-209

Pearman, Hugh. 'Building Types Study 843 - 78 Derngate, England'. Architectural Record vol. 193, no. 3, 2005 p. 132 [Designed by C. R. Mackintosh for the model engineer W. J. Bassett-Lowke in 1916]

Pecher, Wolf D. 'Charles Rennie Mackintosh : Großmeister des schottischen Jugendstils'. Weltkunst vol. 73, no.. 9, 2003 pp. 1281-1283

Pepplatt, M. 'Mackintosh's last hurrah - Meticulously restored, a remarkable English interior by the architect lives again (Charles Rennie Mackintosh's 78 Derngate, Northampton, England)'. Architectural Digest vol. 61, no. 11, November 2004 pp. 163-+

Pevsner, Nikolaus, Charles R. Mackintosh. Milan: Il Balcone, 1950 [The first monograph on C. R. Mackintosh]

Pevsner, Nikolaus, 'Charles Rennie Mackintosh', in Studies in Art, Architecture and Design: Volume 2: Victorian and After, by Nikolaus Pevsner.  London: Thames & Hudson, 1968, pp. 152–175 [A revised, abridged and translated version of Pevsner's 151pp book Charles R. Mackintosh (Milan: Il Balcone, 1950)]

Pevsner, Nikolaus. 'Charles Rennie Mackintosh (1867-1933). Country Life vol. 85, 15 April 1939 pp. 402-403 [Note: the year of Mackintosh's year of birth is incorrect]

Pevsner, Nikolaus. 'No grace for Mackintosh'. Architectural Review vol. 118, August 1950 pp. 117-118 [Pevner, who was the author of the first monograph on C. R. Mackintosh, praises his work which he says is of national if not international importance]

Pinches, Sylvia. ' A house transformed: the restoration of 78 Derngate, Northampton'.  Building Engineer vol. 80, no. 10, 2005 pp. 18-19 [Designed by C. R. Mackintosh for the model engineer W. J. Bassett-Lowke in 1916]

Pfaffenroth, Catherine Genevieve. Designing the whole : the origins of the Gesamtkunstwerk & the work of art nouveau architects Charles Rennie Mackintosh and Hector Guimard. B.A. dissertation, Amhurst College, Massachusetts, 2001 [The dissertation was awarded a distinction]

Posener, Julius. 'Charles Rennie Mackintosh - Das englische Landhaus'. Arch+. 1981, pp. 34-39

Powell, Kristie. "The artist couple": Collectivism in Margaret Macdonald's and Charles Rennie Mackintosh's modern interior designs of 1900-1906. M. A. thesis, University of Cincinnati, 2010.   ["Margaret Macdonald (1864-1933) was a Scottish artist and designer whose marriage to the internationally renowned architect and designer, Charles Rennie Mackintosh (1868-1928), has partly obscured the importance of her contributions to art and design. Her collective approach was, in fact, part of what Mackintosh called her "genius," while he considered his own contributions to their projects more akin to "talent or ability." This study is part of the recent scholarship that brings attention to Macdonald's contributions and crucial roles in collective design work of the modern era. Introducing the study, I evaluate the role of collectivism as it informs Macdonald's and Mackintosh's tea-room designs. Next, I examine the influence of the Arts and Crafts style on the design of the couple's Mains Street flat home. The modern revival of practices used by medieval guilds includes Macdonald's use of the medium gesso, as I discuss in the second chapter of the study. In concluding, I discuss the "Gesamtkunswerk," the total work of art, in relation to the Music Room that the Scottish couple created for Franz Waerndorfer. With the current study's focus on Macdonald's and Mackintosh's interior designs, I hope to augment understandings of collectivism in order to acknowledge unsung contributions of many modern women and other producers; the hopes that such thinking may continue to inform art making and design today".   Abstract]

Preti, Stefania Colonna. Charles Rennie Mackintosh. Milan: Hachette, 2012.

Rawson, George. Charles Rennie Mackintosh's Italy.  Catrine, Ayrshire: Catrine Stenlake Publishing Ltd 2020    [In 1890 the 22 year old Charles Rennie Mackintosh won the Alexander Thomson Travelling Studentship which enabled young architects to make a three-month tour to study Ancient Classic Architecture. Mackintosh’s chosen tour of Italy is one of the best-documented periods of his career in terms of primary sources as he kept a diary which forms the basis of the book’s narrative. CRM landed at Naples on 5th April 1891 and after a week there and a brief visit to Sicily he worked his way up Italy, ending his tour at Pavia that July. This new book is illustrated with his drawings, sketches, watercolours from the tour as well as contemporary photographs. It includes a full listing of the 200 or so CRM sketches etc. from the tour. Publisher's note]

Rawson, George. 'Speculations on an architectural language: Charles Rennie Mackintosh's Architectural Drawings. Exhibition at the Glasgow School of Art, 18 August to 30 September 2006'.  Architectural Heritage vol. 18, no. 1, 2007 pp. 175-177

Reekie, Pamela. The Mackintosh House. Glasgow: Hunterian Museum and Art Gallery , 1987

Robertson, Pamela. Charles Rennie Mackintosh: Art is the Flower.  London and New York: Pavilion Books & Abrams, 1994

Robertson, Pamela. 'Charles Rennie Macintosh: Curating a legend'. Architectural Heritage vol. 7,  no. 1, January 1996 pp. 65-73

Robertson, Pamela. Mackintosh Flower Drawings. Glasgow: Hunterian Art Gallery, University of Glasgow, 2nd edn, 1993

Robertson, Pamela; Long, Philip; and Leighton, John. Charles Rennie Mackintosh in France: Landscape Watercolours. Edinburgh: National Galleries of Scotland in collaboration with The Hunterian, University of Glasgow, 2015.

Roenisch, Rowan. 'Charles Rennie Macintosh'. Journal of Design History vol. 1, no. 1, 1988, pp. 85-86

Roxburgh, Graham. Building the Dream : the realisation of Charles Rennie Mackintosh's House for an Art Lover. Glasgow?: Graham Roxburgh, 2006 [A house designed by C. R. Mackintosh in 1901 for the competition "Haus eines Kunstfreundes" (Art Lover's House), organised by the German design magazine Zeitschrift für Innendekoration and built in Bellahouston Park, Glasgow between 1989 and 1996]

Rykart, Joseph. 'Charles Rennie Mackintosh. 1868-1928'. Domus no. 462, March 1968 p. 32

Sabattini, Lino and Filippo, Alison. Oggetti disegnati da Charles Rennie Mackintosh: ricostruiti da Sabattini. Bregnano (Como): Sabattini Argenteria, 1984. [Exhibition catalogue]

Seckler, Eduard. 'Mackintosh in Vienna'. Architectural Review vol. 145, December 1968 pp. 455-456 [Reprinted in an extended version in Anti-Rationalists, edited by Nikolaus Pevsner and J. M. Richards. London: Architectural Press, 1973 pp. 136-151.  Discusses Mackintosh's association with the Vienna Secessionists and his involvement in the Secession exhibition in Vienna in 1900]

Scharma, Simon. 'The Art World: Charles Rennie Mackintosh at the Met'. New Yorker Magazine 16 December 1996 pp. 110-113

Seddon, Jill. 'Charles Rennie Mackintosh'. Journal of Design History vol. 10, no. 2, 1997 pp. 235-236

Shand, Philip Morton. 'C. R. Mackintosh'. Architectural Association Journal vol. 75, January 1959 pp. 163-167

Sharp, Dennis. 'Mackintosh and Muthesius' in Mackintosh & His Contemporaries in Europe and America, edited by Patrick Nutgens. London: John Murray, 1988 pp.8-17

Sharp, Ellen. 'Charles Rennie Mackintosh's Petunias'. Bulletin of the Detroit Institute of Arts vol. 80, 2006 pp. 36-41

Shand, Philip Morton. 'Architecture, Glasgow and Mackintosh'. Proceedings of the Royal Philosophical Society of Glasgow vol. 75, 1951 pp. 55-67

Sotelo Calvillo, Gonzalo and Raventós Viñas, Maria Teresa. 'Influences of the Architectonic Heritage in Mackintosh’s Glasgow School of Art' in Graphical Heritage, edited by Luis Agustín-Hernández et al. Cham: Springer International Publishing, 2020 pp. 530-541    ["The most direct knowledge of the architectural heritage during the training of architects is produced through the drawings contained in their travel sketchbooks. This paper aims to analyze the influences of these teachings on Charles Rennie Mackintosh during the design process of the Glasgow School of Art, due to the prominent role of such school in contemporary architecture and his saliency as one of its major representatives. Our objective is to transcend the formal approaches that have been made in the preceding publications to attempt to reveal the mechanisms inherited from the study of vernacular buildings in the methodology that Mackintosh used in this project. To support the hypothesis, this essay not only analyzes the previous writings, but also the original sources of the graphic material developed by Mackintosh and archived in the Glasgow School of Art, the University of Glasgow and the National Library of Ireland in Dublin. A circular route is planned that with the education of Mackintosh in Glasgow, continues with the medieval architectures drawn in Britain and Italy, and culminates with the proposal for the educational building back to his Scottish hometown."  Abstract]

Spencer, Clare. 'Designing the Person: Sociological Assumptions Embodied within the Architecture of Charles Rennie Mackintosh and Le Corbusier'. Irish Journal of Sociology vol. 14,  no. 1, 2005 pp. 141-162

Stable, Charles; Cobo del Arco, Belén; and Spencer, Helen. Investigation, conservation and mounting of a fibrous plaster frieze by Charles Rennie Mackintosh. [Paper read at the Triennial Meeting, Rio de Janeiro, 22-27 September 2002. Published in vol. 2 of the report of the proceedings pp. 533-539. See: WorldCat]

Stamp, Gavin. ‘Mackintosh, Burnet and Modernity’ in Architectural Heritage 3: The Age of Mackintosh. Edinburgh: Edinburgh University Press, 1992 pp. 8-31

Stamp, Gavin. The English House 1860-1914. Catalogue of an exhibition of photographs and drawings. London: International Architect and the Building Centre Trust, 1980 pp. 42-43

Stamp, Gavin. 'Great British Architects: on the brilliant, tragic career of architect and interior designer Charles Rennie Mackintosh'. Country Life vol. 203, no.45, 11 November 2009 pp. 64-65

Stamp, Gavin and Crawford, Alan. 'Charles Rennie Mackintosh'. The Spectator vol. 275, no. 8717, 1995 p. 33

Stark, David. Charles Rennie Mackintosh and Co. Catrine, Ayrshire: Stenlake Publishing, 2004

Steele, James. Charles Rennie Mackintosh : synthesis in form. London: Academy, 1994.

Stone, Judith E.  Easel to Edifice: Intersections in the Principles and Practice of C.R. Mackintosh and Henry van de Velde. Champaign, IL : Common Ground Research Networks, 2019

Swinlehurst, Edmund. Charles Rennie Mackintosh. Rochester: Grange, 2002

Takahashi, Toshiro and Kawata, Katsuhiro. 'A study of C. R. Mackintosh's chair design from the viewpoint of parts'. Journal of Architecture and Planning (Transactions of AIJ) vol. 75, no. 648, 2010 pp. 517-524

Taylor, A. E. 'A neglected genius: Charles Renie Mackintosh'. The Studio vol. 105, June 1933 pp. 344-352 [Discusses C. R. Mackintosh's work as a watercolourist]

Thompson, Alexander. 'More threats to Mackintosh in a blighted city'. Architects' Journal vol. 161, 19 February 1975 p. 389 [The author cwarns athat a number of important buildings in Glasgow are under vthreat of being demolished by developers]

Tong, John. 'Charles Rennie Mackintosh, Celtic innovator'. Scottish Art Review vol. 3, 1950 pp. 13-17

Tulloch, John. 'Preservationists rally to aid threatened school'. Building Design 21 September p. 5 [A report on the campaign to save the Martyrs School in Glasgow by C. R. Mackintosh which is under threat of demolition by Glasgow Engineers Department]

Turpin, Trevor. A Bedroom at Bath : a Story of Charles Rennie Mackintosh, Sidney Horstmann and Wenman Bassett-Lowke.   Bath: Bath Industrial Heritage Trust Ltd, 2017 [Catalogue of an exhibition of furniture (owned by the Victoria & Albert Museum) on display at the Museum of Bath at Work, Bath, 14th June-31st October 2017]

Trowles, Peter and Grinde, Olav. Charles Rennie Mackintosh : stoler, kunstneren og hans liv / chairs, the artist and his life. Ålesund, Norway: Jugendstilsenteret, 2003.

Turley, Catherine Udall. Tradition in modernity: Roger Fry and Charles Rennie Mackintosh. M.A. thesis, Arizona State University, 1993

Waddell, J. J., 'Charles Rennie Mackintosh'. Quarterly Illustrated: Journal of the Royal Incorporation of Architects in Scotland  Spring, 1933, pp. 11–14

Walker, David.  'Charles Rennie Mackintosh'. Architectural Review vol. 144, December 1968 pp. 355-363 [Reprined in Edwardian Architecture and its Origins. Edited by Alastair Service. London: The Architectural Press Ltd., 1975 pp. 216-235]

Walker, David.  'The early work of Charles Rennie Mackintosh' in The Anti-Rationalists, edited by Nikolaus Pevsner and J. M. Richards. London: Architectural Press, 1973 pp. 116-135

Walker, David. 'Mackintosh: the international nationalist'.  Architectural Heritage vol. 9, no. 1, 1988 pp. 44-50

Walker, David M. 'Mackintosh's Scottish antecedents' in Mackintosh & His Contemporaries in Europe and America, edited by Patrick Nutgens. London: John Murray, 1988 pp. 32-38

Walker, Frank Arneil. 'Mackintosh, the International Nationalist.' Architectural Heritage no. 9, 1998 pp. 44-50

Wallace, Christine and Ferguson, Lyn. Some designs by C.R. Mackintosh. London: Architectural Association, 1981

Welter, Volkr M. ‘Arcades for Lucknow: Patrick Geddes, Charles Rennie Mackintosh and the Reconstruction of the City’.  Architectural History vol. 42, 1899 pp. 316-332

Wetzel, Florence Rust. Charles Rennie Mackintosh: an influence on American furniture design. M.S.thesis, Illinois State University, 1991

Wichmann, Hans. Deutsche Werkstätten und WK-Verband 1898-1990. Aufrabruch zum neuen wohnen. Munich: Prestel-Verlag, 1992

Wickre, Billie. Collaboration in the work of Margaret MacDonald, Frances MacDonald, Charles Rennie Mackintosh and J. Herbert MacNair. Ph.D. thesis, University of Michigan, 1993

Wilk, Christopher. 'Glasgow : Charles Rennie Mackintosh'. Burlington Magazine vol. 138, 1996 pp. 764-765

Young, Andrew McLaren. Architectural jottings by Charles Rennie Mackintosh. [Glasgow]: [Glasgow Institute of Architects], [1969]

Zweigbergk, Eva von. 'Charles Rennie Mackintosh'. Form [Sweden] vol. 65, 1969 pp. 88-91

_______

•  See also: 

Charles Rennie Mackintosh Society Newsletter (First Series).  nos. 1-96, 1973 - 2010

Charles Rennie Mackintosh Society Newsletter (New Series).  nos. 1-10, 2011 - 2016

Rennie Mackintosh Society Journal. Spring 2003 - present

These contain numerous articles, book reviews and conference reports on Mackintosh and his contempraries

The Newsletter and the Journal have been indexed by Design and Applied Arts Index and by Avery Index to Architectural Periodicals; and online through EBSCOhost Art & Architecture Source. archINFORM contains a partial index of the Newsletter. See link below]

A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | Y
A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | Y